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The Bard of the Brahmaputra: Zubeen Garg and the voice of 38,000 melodies

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The Bard of the Brahmaputra: Zubeen Garg and the voice of 38,000 melodies
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Born Zubeen Borthakur in Tura, Meghalaya, on November 18, 1972, the artist’s path was paved with music from the beginning. He was aptly named after the legendary maestro, conductor Zubin Mehta, a subtle prophecy of the grand musical career that awaited him. His mother, a singer, was his first guru, instilling in him the discipline and deep love for melody, from classical raags to the earthy rhythms of Assamese folk music.

He was a prodigy, mastering instruments like the dhol, dotara, mandolin, and various percussion tools. His music was not defined by rigid boundaries; it was a fluid fusion of rock, Indian classical, and the local folk traditions that he fiercely protected. This versatility allowed him to create a sound entirely his own, making him an instant phenomenon.

Heartthrob of the Northeast

Zubeen’s professional journey truly began in 1992 with his debut Assamese album, “Anamika.” It was an instant hit, marking him as a trendsetter. He became the cultural heartbeat of Assam, singing in over 40 languages and dialects, including Bodo, Karbi, Mising, and Tiwa, connecting disparate communities through his universal art. It is a testament to his prolific output that he is credited with composing and singing over 38,000 songs.

Beyond the microphone, Zubeen dedicated himself to cinema. He acted, directed, and produced films like Mission China and Kanchanjangha, often using his platform to address social and political issues, injecting new life and modern production values into the Assamese film industry when it needed it most.

Ya Ali and the Bollywood Chapter

In 2006, Zubeen’s voice transcended regional borders with the immense success of “Ya Ali” from the Bollywood film Gangster. The Sufi-rock ballad captured the imagination of the entire country, earning him prestigious nominations, including a Filmfare Award. This song cemented his place in the national consciousness, yet Zubeen always remained anchored to his roots, often describing himself primarily as a folk singer.

His work across Hindi and Bengali cinema showcased a singer unwilling to be typecast, capable of delivering everything from high-energy dance numbers to deeply moving devotional pieces. He carried the rich musical heritage of the Northeast onto the global stage.

The Man, The Activist, The Legacy

Zubeen Garg’s influence extended far beyond entertainment. He was a committed philanthropist, organizing benefit concerts and raising funds for flood relief and social causes through his Kalaguru Artiste Foundation. He was also a powerful, outspoken activist, notably becoming a prominent voice during the protests against the Citizenship Amendment Act (CAA), always choosing integrity over commercial comfort.

His untimely passing in Singapore on September 19, 2025, sent a wave of shock and grief across India. The sheer volume of mourners who took to the streets underscored the truth: Zubeen Garg was an emotional anchor, a cultural phenomenon whose voice was woven into the fabric of life itself. His songs will forever play at Bihu festivals, in family cars, and in the quiet hearts of millions, ensuring the heartbeat of Assam continues to drum to his timeless rhythm.

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